《中国纪录片发展研究报告》是中国*部连续发布的纪录片蓝皮书，始于2009年中国纪录片市场转型的关键时刻，力求以学术方式，采集*手资料，在世界总体格局里描绘中国纪录片发展足迹，主要包括频道和栏目、作品、产业、理论与研究、新媒体纪录片、世界纪录片概况及中国纪录片国际传播等部分，具有市场、传播与文化意义。《中国纪录片发展研究报告2018》解析了2017年中国纪录片的基本特征和发展趋势，为海内外纪录片提供参考和借鉴。Study Report of the Development of Chinese Documentary is the first blue paper serialized for Chinese documentary. Its publication started at the critical moment of the transformation of the Chinese documentary market in 2009. It seeks to collect first-hand information in an academic way, in t
內容簡介：
《中国纪录片发展研究报告2018》由北京师范大学纪录片研究中心、五洲传播中心和哔哩哔哩联合出品。全书分绪论及2017年纪录片频道与栏目、2017年纪录片作品、2017年新媒体纪录片、2017年纪录片产业、2017年中国纪录电影、2017年中国纪录片国际传播和2017年世界纪录片动态七章，较为全面地总结了2017年中国纪录片产业样态，分析了一些经典作品，兼顾中国与世界在本领域的交流。Study Report of the Development of Chinese Documentary 2018 is coproduced by the Documentary Center of Beijing Normal University, China Intercontinental Communication Center and Bilibili www.bilibili.com. This book mainly introduces the following parts of Chinese documentary in 2017 documentary channels and programs, documentary works, new media documentary, documentary industry, Chinese documentary film, and international communication of Chinese documentary. In addition, it talks about the overview of documentaries over the world.
關於作者：
张同道，北京师范大学纪录片研究中心主任，艺术与传媒学院教授，中国高教学会影视教育委员会理事长，中国纪录片发展基金理事长，美国纽约大学、加州大学洛杉矶分校访问学者。曾任中国金鹰电视节、四川电视节、上海电视节、广州国际纪录片节、卡塔尔半岛国际纪录片节等影视节评委。主持全国艺术学、教育部、广电总局及横向课题30余项。主要学术著作《媒介春秋：中国电视观察》《大师影像》《真实的风景》《多元共生的纪录时空》等；主要作品纪录电影《小人国》、系列片《成长的秘密》《电影眼看中国》《贝家花园往事》《零零后》等，曾获卡塔尔半岛国际纪录片节、四川电视节、中美电影节等奖项。从2009年起，主持每年发布蓝皮书《中国纪录片发展研究报告》。胡智锋，北京师范大学艺术与传媒学院院长、博士生导师，中国传媒学术领域第一位教育部长江学者特聘教授，中国高校影视学会（国家一级学会）会长，国务院学位委员会戏剧与影视学科评议组召集人，享受国务院政府特殊津贴，入选中组部首批万人计划领军人才、全国宣传文化系统四个一批人才、新世纪百千万人才工程国家级人选、新中国60年影响中国广播电视进程的60位人物、首届国家公共文化服务建设专家委员会委员，哈佛大学高级访问学者。主持国家级、省部级等各级各类科研项目40余项，已出版学术专著30余部，发表学术论文400余篇。Zhang Tongdao is the Chief Director of the Documentary Center and professor of Art and Communication School at Beijing Normal University, Chairman of the China Higher Education Association Film and Television Education Committee, President of the China Documentary Development Fund, and a visiting scholar at New York University and the University of California, Los Angeles. He used to serve as a judge for China Golden Eagle TV Art Festival, Sichuan TV Festival, Shanghai TV Festival, Guangzhou International Documentary Film Festival, Qatar Peninsula International Documentary Film Festival and so on. His major academic works include Media Spring and Autumn： Chinese TV Observation, Images of Masters, The Real Scenery, The Multi-symbiotic Recording Time and Space and so on; his main documentary films, which won the prizes of the Qatar Peninsula International Documentary Festival, Sichuan TV Festival, Chinese American Film Festival and other awards, include Little People, the series The Secret of Growth, See China with a Cinematic Eye, Memories in the Garden of Bei Family, Post-00s and so on.From 2009, Zhang began to preside over the annual publication of Study Report of the Development of Chinese Documentary.张同道，北京师范大学纪录片研究中心主任，艺术与传媒学院教授，中国高教学会影视教育委员会理事长，中国纪录片发展基金理事长，美国纽约大学、加州大学洛杉矶分校访问学者。曾任中国金鹰电视节、四川电视节、上海电视节、广州国际纪录片节、卡塔尔半岛国际纪录片节等影视节评委。主持全国艺术学、教育部、广电总局及横向课题30余项。主要学术著作《媒介春秋：中国电视观察》《大师影像》《真实的风景》《多元共生的纪录时空》等；主要作品纪录电影《小人国》、系列片《成长的秘密》《电影眼看中国》《贝家花园往事》《零零后》等，曾获卡塔尔半岛国际纪录片节、四川电视节、中美电影节等奖项。从2009年起，主持每年发布蓝皮书《中国纪录片发展研究报告》。胡智锋，北京师范大学艺术与传媒学院院长、博士生导师，中国传媒学术领域第一位教育部长江学者特聘教授，中国高校影视学会（国家一级学会）会长，国务院学位委员会戏剧与影视学科评议组召集人，享受国务院政府特殊津贴，入选中组部首批万人计划领军人才、全国宣传文化系统四个一批人才、新世纪百千万人才工程国家级人选、新中国60年影响中国广播电视进程的60位人物、首届国家公共文化服务建设专家委员会委员，哈佛大学高级访问学者。主持国家级、省部级等各级各类科研项目40余项，已出版学术专著30余部，发表学术论文400余篇。Zhang Tongdao is the Chief Director of the Documentary Center and professor of Art and Communication School at Beijing Normal University, Chairman of the China Higher Education Association Film and Television Education Committee, President of the China Documentary Development Fund, and a visiting scholar at New York University and the University of California, Los Angeles. He used to serve as a judge for China Golden Eagle TV Art Festival, Sichuan TV Festival, Shanghai TV Festival, Guangzhou International Documentary Film Festival, Qatar Peninsula International Documentary Film Festival and so on. His major academic works include Media Spring and Autumn： Chinese TV Observation, Images of Masters, The Real Scenery, The Multi-symbiotic Recording Time and Space and so on; his main documentary films, which won the prizes of the Qatar Peninsula International Documentary Festival, Sichuan TV Festival, Chinese American Film Festival and other awards, include Little People, the series The Secret of Growth, See China with a Cinematic Eye, Memories in the Garden of Bei Family, Post-00s and so on.From 2009, Zhang began to preside over the annual publication of Study Report of the Development of Chinese Documentary.
Hu Zhifeng is the Dean and doctoral supervisor of Art and Communication School at Beijing Normal University, the first Cheung Kong Chair Professor of China Education Ministry in the media academic field, the President of the China University Film and Television Society national first class society, the appraisal group convener of Drama, Film and Television Discipline of the State Council Academic Degree Committee. He enjoys the State Council Special Allowance. Besides, he has been selected as the leading figure of the first Ten Thousand Talents Program, the Four Batches talent of the national publicity and cultural system, the national level candidate of the New Century Thousands of Talents Project, one of the 60 figures who contribute to the development of Chinas radio and television industry over the 60 years since the establishment of the Peoples Republic of China, member of the first expert committee of the national public cultural service construction, the senior visiting scholar of Harvard University.He has presided over more than 40 scientific research projects of national, provincial and ministerial levels, and has published more than 30 academic monographs and more than 400 academic papers.
目錄：
Introduction1. Documentaries2. The Documentary： Its Situations and Markets3. The Documentary Industry4. The New Media Documentary5. The International Communication of Chinas Documentary and Chinas Image in the International Documentary6. ConclusionChapter 1 Documentary Channels and Programs in 20171.1 The Overall Pattern of Chinese Documentary Channels1.2 CCTV Documentary Channel1.3 Shanghai Documentary Channel1.4 Beijing Documentary Channel1.5 Hunan Golden Eagle Documentary Channel1.6 Operations Management of Documentary Channels1.7 The Program Production of Documentary Channels1.8 Arrangement of Documentary Channels Programs1.9 Communication Effect of Documentary Channels1.10 Overall Structure of Documentary Columns1.11 New Trends of Documentary ColumnsChapter 2 Documentary Works in 20172.1 Types and Features2.2 The Dissemination of Documentaries2.3 Cultural and Aesthetic CharacteristicsChapter 3 New Media Documentary in 20173.1 Key Words of Chinese New Media Documentary in 20173.2 Current Problems3.3 Difference from the United States3.4 Future OutlookChapter 4 Documentary Industry in 20174.1 Industrial Ecology4.2 Market Entities4.3 Development Status Quo and Trend of DocumentariesChapter 5 Chinese Documentary Film of 20175.1 Status Quo and Trend5.2 Case of the Year： Twenty-TwoChapter 6 International Communication of Chinese Documentaries in 20176.1 Contents and Modes of Expression6.2 Communication Platforms and Their Effects6.3 The Trends of International CommunicationChapter 7 Overview of Documentaries over the World in 20177.1 Production of Documentaries under Different Systems7.2 The Era of Online Videos Has Come7.3 Global ThemesA Brief SummaryEpilogue
內容試閱：
People may read The Sound and the Fury and they may read into the past yearwhen everything was in a strange pace.We found unexpected changes in the political arena. In the US, Donald Trump,in the first two years of his tenure, acted like a bull in a china shop, regarding tohis tax cut, trade war, and amended political rules. On the other side of the NorthAtlantic, it was the fourth time for Angela Merkel to hold the regime, and the39-year-old Emmanuel Macron won the presidential election in France. It was notalways the case in Asia where China-Japan relations went wrong, and Park Geunhyewas put into jail out of her friendship with Choe Sun Sil. The crisis never wentfar in the Korean Peninsula, and it was particularly endangered after the sixthsuccessful nuclear launch by the DPRK.We also find spreading terror. The year reminded us of the global terrorism as itbroke out in an Al-Arish mosque of Egypt, in coordinated bombs in Iraq, in gunshotsin Las Vegas and Wisconsin in the US, and in the riot in Xinjiang, China.In the past year, sponsored by the Belt and Road Initiative, China held asummit forum on global cooperation, but it was faced with a more complicated worldthan ever. The year will be marked with the two-month Doklam stand-off betweenChina and India, the DPRK nuclear crisis, the THADD employed in the ROK, shutdownrelations across the Taiwan Straits, and the US tariff war. China, once again,embraced her new era, as commemorated by greater anti-corruption campaigns, thelaunch of the second aircraft carrier, the first flight of C919, and particularly, theopening of the 19th National Congress of the Communist Party of China CPC.The world documented in the past year was thought-provoking and followedthe Faulkners way.
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