The invention of the Jacquard loom in eighteenth-century
France paved the way for computing and revolutionary change. From
its punch-card origins, code has evolved to define and enable new
methods in design, making, visualization, production and
communication, achieving the previously unimaginable.
Digital Visions for Fashion and Textiles: Made in Code
considers how computing has reinvented image, material and
structural processes, highlighting newly advancing 2D, 3D and
interactive output. Pioneering shifts of practice have developed
from hybrid technical and creative collaborations. Digital and
analogue fusions are defining new contexts for the innovative
fabrication of surfaces, products and environments.
Twenty-two of the most forward-thinking practitioners,
established and emerging, who have embraced developing digital
technologies are profiled. Featured are household names, such as
Hussein Chalayan, Prada and Issey Miyake, early pioneers Vibeke
Riisberg, Peter Struycken and more independent, avant-garde
individuals Iris van Herpen, Casey Reas, Tom Gallant.
Complete with a reference section and bibliographic
information, this unique and richly illustrated book is the perfect
resource and inspiration for designers, students, industry
professionals, and anyone looking for an exploration of how
computer technology has creatively permeated fashion, textiles and
related digital sectors.
關於作者：
Sarah E. Braddock Clarke is a consultantcurator and Senior
Lecturer in Fashion Design and Performance Sportswear Design at
University College Falmouth. She has co-authored numerous books on
advanced textiles and their applications to fashion and performance
sportswear, including Techno Textiles and SportsTech, both
published by Thames Hudson.
Jane Harris is a designerconsultant and Professor of Digital
Imaging Design at Kingston University London. A recipient of the
prestigious National Endowment for Science, Technology and the Arts
Fellowship she was previously co-founder and director of the
Textile Futures Research Centre and a Reader in Digital Textile
Design Media at Central Saint Martins College of Art and Design,
London.
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